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Specialties
The Phillips Collection offers an intimate encounter with one of the world’s finest collections of impressionist and modern American and European art. Works by Degas, Diebenkorn, Klee, Lawrence, Picasso, Renoir, Rothko, and many others are displayed in constantly changing installations that illuminate unexpected relationships and conversations between artists from different time periods and parts of the world.
The museum is located in the heart of the vibrant Dupont Circle neighborhood, in Washington, DC.
History
Established in 1921.
The Phillips Collection is America’s first museum of modern art and its sources. Founded in 1918, it opened to the public in 1921, eight years before the Museum of Modern Art in New York.
Duncan Phillips established the museum with his mother, Eliza Laughlin Phillips, as a memorial to his father, also named Duncan Phillips, who died in 1917, and his older brother, Jim, who died in the 1918 flu epidemic. The brothers had shared an interest in modern art, and Phillips saw the institution as a fitting tribute to his two «lost leaders.»
Phillips and his wife Marjorie worked hard to expand and shape the collection, which was displayed in special galleries at their home in Washington, D.C. In 1923, Phillips purchased Renoir’s Luncheon of the Boating Party, correctly believing that visitors would flock to see the joyful masterpiece. In 1930, the Phillipses and their two children moved to a new home, devoting their entire original residence to the collection.
Meet the Manager
Dorothy K.
Manager
Dorothy Kosinski became the director of The Phillips Collection in April 2008. She is the former senior curator of painting and sculpture at the Dallas Museum of Art, and served earlier as an independent curator for the Kunstmuseum Wolfsburg, the Kunstmuseum Basel, and the Royal Academy of Arts in London.
At the time of her appointment, Dr. Kosinski said, «I have long admired Duncan Phillips’s extraordinary record as a collector of modern art and his deep commitment to contemporary artists. I feel fortunate to have the opportunity to build on this remarkable legacy by igniting meaningful dialogues with the artists and art of our times. I look forward to working with the museum’s staff and trustees in taking this important cultural institution to new heights.»
Dr. Kosinski has written and published widely in numerous catalogues and books, as well as many art magazines. She regularly participates in scholarly lectures and has extensive teaching experience at the university level