Perfection Recording Studio

Specialties

Recording, Mixing and Mastering

History

Established in 1995.

Perfection Recording Studio came about in 2005 while Eduardo Muniz was at a Church service. He was talking to a friend, Tiago Sampaio, about coming up with a name for the studio. All this time, Eduardo had been looking for words to represent his recording studio but it was only during this particular church service that he felt the word «Perfection» come up strongly in his heart.

Eduardo felt that if he wanted to set up this studio, it had to be as perfect as it can be. As a Christian, he also wanted to honor God for giving him this studio, and making it possible, so he was convicted to give the best service and experience to his clients.

Eduardo came up with the logo for Perfection Recording Studio and included the number 7, as suggested by his friend Thiago. 7, being the perfect number in the bible, echoes how Perfection Recording Studio strives to be, the perfect place for professional audio recordings. The number 7 can be seen in many instances of the bible, from the seven day of

Meet the Business Owner

Eduardo M.

Business Owner

Eduardo has had a special gift for music since early childhood. He started working with music productions back in 1995. At the age of 15, he already had his own Recording Studio, and since then, has never stopped to perform musical productions. Eduardo Muniz attended inumerous courses in the field of audio engineering, voice production, among others, fields which he has great experience in. Having been in the United States since 2002, Eduardo Muniz has founded the Perfection Studio, where he has performed hundreds of recordings and musical productions. Eduardo Muniz has produced more than two hundred discs of various bands, choirs, as well as several other solo singers such as SONY Music artist Elaine de Jesus. He has also worked with Joe Mulholland, Chair of the Harmony Department at Berklee College of Music. Always one to seek perfection, Perfection Studio has attracted the attention of several musicians, including teachers and students from Berklee College of Music in Boston. Throug