Baltimore and Maryland Pro Sound Services

Specialties

Live Sound, Music Production, Audio Restoration, Sound Engineering, Concert Sound, Concert Recording, Recording Studio

Baltimore Sound Services. Baltimore Music.

History

Established in 1992.

I began sound-​engineering in 1985 at Strawberry Recording Studios, Stockport England Working on projects with The Smiths, Echo and The Bunnymen and The Housemartins

After a Year I was asked to work alongside The Sonic Architect Martin Hannett Who was a great Tutor and mentor in the dark arts of recording tech

These were my most educational years at Strawberry

Martin and I worked on The Happy Mondays and many other Projects

Strawberry Studios sadly Closed in 1994 so I turned to mixing live sound

I was given the chance to mix sound for a musical hero of mine, Moby, at the London Astoria 2

His management asked me if I’d like to mix Mobys next tour

I obviously said Yes.

The success of Moby’s 1999 PLAY album we were now selling out 40 000 capacity arenas.

I now work with Avicii, Alesso, Royksopp, Robyn, La Roux, The Kooks. Magic Man, Charlotte OC, and many Others

I also run a Recording Studio and using Protools, Logic Audio, Ableton Live.

Meet the Business Owner

John P.

Business Owner

My Name is John Pennington

I am a British Sound Engineer From Manchester,

I’ve been working in the Music Business for 30 years.

I Married an American and moved to Baltimore in 2013, which made it possible for me to set up a business and begin working with some American Talent.

As an established Front of House and Studio Engineer I have worked with a diverse range of artists and music including…

Royksopp (NOR)

La Roux (UK)

MIA (UK)

Robyn (SWE)

Avicii (SWE)

Alesso (SWE)

Moby (US)

Heather Nova (BER)

Neil Finn (NZ)

The Smiths (UK)

Paradise Lost (UK)

Fluke (UK)

Sisters Of Mercy (UK)

I’m looking to work with local bands and International touring bands all based In the U.S.

I Love Studio Work using Protools and Logic.

I record Live Shows from my front of house desk and sell the mixes for the bands I work with.

its a great time for smaller bands to make money at every show they do and I make it possible to make even more.