Riverside Walk

Yesterweek, in the intense autumnal sun* I walked along the Parramatta riverbank. I was not unaccompanied. Sunday morning joggers, dog-​walkers, touristy hikers passed me by while less active nappers stretched out on the grass. But my Riverside Walk was also accompanied by something else: a colonial soundscape.
Before setting out on my self-​guided tour of four historically-​evocative artwork installations on the river foreshore, I downloaded the FREE podcast «Life Along the Riverbank» via iTunes, which includes four audio tracks and a full colour brochure of the tour. The idea is that the artworks, the text incorporated into these visual works, and the audio conjure up the colonial world of the early 1800s. You get to hear real stories of real everyday people; cons, free men and women, children, aboriginal people of the region — the Burramatta — and soldiers, while you stand in the very spots where their histories unfolded and became entangled forever. The audio tracks are great; the voiceovers capture the accents authentic to the period and the quotations have been pulled directly from primary sources. Some choice sound effects also transport you to a time when Parramatta was a brutal military garrison town. The artworks and soundscape aim to reveal «stories of hardship, love, loss, survival, order and punishment» and in that they certainly succeed!
The tour itself is very short in terms of walking distance; beginning just behind the Parramatta Wharf where the Rivercat comes in and ending at the Gasworks Bridge. The audio tracks are also not overly long. I still managed to draw the whole tour out to a couple of hours, however, as I photographed every inch of the spaces at every conceivable angle and, if I’m honest, had a little difficulty finding Stop 2 and Stop 4… but I’ll say more on that later. You could do the whole tour much quicker than I did. In fact, the total audio time is approximately 10 minutes.
Stop 1 «STORYWALLS» harmonise nicely with the natural landscape as they look like brown hills beneath a beautiful old shady tree. Each «hill» contains text; details of notables who lived in Parramatta; an Aboriginal missionary, a female teacher, convicts (including poor Ann Mash who was sentenced to seven years for stealing a bushel of wheat!), and the painted, spear-​weilding Baluderri who «came to Governor Phillip’s hut in a violent rage» threatening to kill the white men who had broken his canoe.” These people are made more real to you as you listen to the podcast.
Stop 2 «THE BACKYARD OF HARRISFORD» was a bit hard to find! I also recommend you actually walk up the path and follow it right past the new apartment blocks there to look at the front of HARRISFORD, which was the original school for colonial children and went on to become the first King’s School. Conservation work is currently underway, but there is plenty to see even from the outside. Listen to the podcast to hear the tales of students who used to play there.
Stop 3 «SENTRY BOX» — you can’t miss this one. A bright red and white striped artistic re-​interpretation of a colonial military Sentry Box that once stood here in the 1790s. It is rather gothic-​looking with the shovels and pitchforks etc that stick out the top. Inside the Sentry Box are more primary source quotes, which you can listen to on the podcast.
Stop 4 «WINDMILL SHADOW» — I walked right over this one just in front of the Gasworks Bridge initially as this artwork is subtle compared to the nearby Sentry Box. It is comprised of charcoal tiles against the otherwise white cement pavement. The charcoal lines represent approximately where the shadow of Howell’s mill would have fallen if it were still standing. The audio track for this one was my favourite. A 48-​second folk song about Howell’s Mill sung in that really open-​throated colonial way that you’d normally associate with sea shanties including songs like «Botany Bay.» I confess to playing that track a few times before moving on! It utterly transported me to a time when the colonists relied heavily on windmills for the power that would help them survive an incredible unforgiving environment.
It’s so peaceful here now, but the self-​guided tour podcast and these artworks go a long way towards helping you imagine a time when it was anything but.
The artworks and the podcast are all part of Parramatta City Council’s «Parramatta Stories Project» and were created by historian Michael Flynn and artists Susan Milne and Greg Stonehouse. It’s great that Parramatta Council has made such an effort to preserve the incredible historical heritage of Parramatta.
*Review was originally written and posted 29 March 2014.

When you get off the Rivercat at Parramatta wharf, you’re right at the end of the navigable part of the river. There’s a little weir, with a walkway over the top, and beyond that, parks and walkways along the foreshore.
When I arrived on a bright, sunny day, there was a guy fishing over the weir, officeworkers inhaling lunch under the trees and others power-​walking, trying ever so hard not to puff. As I sat on the plentiful grass, a kookaburra chased off some somnolent looking pigeons and then flew off over the waterlilies.
Never having visited the river here before, I was amazed to see so much green space so near the city centre of Parramatta, and greatly enjoyed my walk up to the Heritage Centre, just over Lennox Bridge. Along much of the way, you can enjoy the ‘Riverside Walk’ artpiece by Aboriginal artist Jamie Eastwood. It visually represents the history of the area from an Aboriginal point of view. There’s little plaques giving a historical backing to the visuals, and would make a great way to educate the kids. This area’s been inhabited for tens of thousands of years, and it’s quite a legacy to think about as you take each step. The ancient history of this country and its people may not be as visible as the Pyramids or Stonehenge, but it’s here, under our feet. It just takes a bit more imaginative effort and interest on our part to conjure up.
It’s only a ten minute walk or so up to the Heritage centre (and a stop on the free bus loop) and beats pounding the asphalt no end.